HEAR UNRELEASED CELINE DION SONGWRITER SONG SAMPLE & MESSAGE TAPE 4 PHIL SPECTOR

HEAR CELINE DION UNRELEASED SINGER SONGWRITER SONG SAMPLES AND COMPILATION MESSAGE TAPE 4 PHIL SPECTOR 🌌🌌🌌 THERE ARE NOW THREE DIFFERENT SONIC SAMPLES AVAILABLE FOR LISTENING. THERE IS ONE SEPARATE SAMPLE FOR EACH CELINE DION RELATED MESSAGE. THE ACTUAL TAPE ACTUALLY SOUNDS MUCH BETTER THAN THESE SAMPLES BECAUSE I AM USING THE COMPUTER MICROPHONE TO RECORD THE TOTALITY OF THESE SAMPLES.🌏 Powered by e C o m m e r c e Player .com Powered by e C o m m e r c e Player .com Powered by e C o m m e r c e Player .com ….. This has to be one of the most unusual Celine Dion vocal media tapes of all time. This one of a kind cassette tape actually contains two vingettes of about one minute each of Celine Dion singing acapella ideas for her own jazz song. These vignettes were recorded by Celine Dion on the answering machine of producer Phil Spector circa 1995 at Spector’s personal request. There were two short separate vocal performances that Celine Dion recorded on Spector’s answering machine that wound up as part of this compilation phone message cassette tape that contains both phone messages and music that were probably transferred to this cassette tape circa 1995 in order for Spector to easily review his phone messages. There are a total of three messages on this compilation tape that are Celine Dion related. Apparently sometime shortly after the initial contact between Spector, Celine and her husband Rene all three of them got together in person. In the first message Rene is thanking Spector for a note from Spector requesting that Celine call him and share “lines” from a song that Celine was working on vocally and sang in Spector’s presence. Rene says in his message to Spector that Celine knows what “lines” Spector is referring to and that Celine will get back to Spector. Rene’s message to Spector is about one minute long. The second message (which I think happens shortly after Rene’s call) is from Celine. Celine thanks Spector for remembering her song and sings the lines she remembers and scats some lines in the song that she had apparently not yet written. She sings for about a minute and a few seconds and then the machine cuts her off. The third and last message that is Celine related is from Celine herself to Spector. She laughs and says that “I wasn’t finished” and then proceeds to sing and scat the same song that she is not yet finished writing for another 40 seconds. The style and manner that Celine Dion sings this unfinished song in is intimate, soft and jazz influenced. It is a more personal tone and reminds me of the handful of songs that Celine Dion would go on to sing under Spector’s production in the following year. This more personal tone is the style that Spector led Dion into performing in at the Ocean Way Recording Studio sessions that they did together in 1995. This whole phone message compilation tape that the Celine singing is on is a combination tape of professional and personal phone messages recorded by Spector’s recording device from numerous individuals including Spector’s executive assistant, his daughter, his sister, various friends and girlfriends. There is also on the tape an assortment of songs from the Philles Records catalogue. that Phil Spector’s executive and personal assistant put together for Spector’s pleasure and amusement. The songs include tracks from the Teddy Bears, the Crystals and Bob B. Soxx and the Blue Jeans. However the most important messages on this tape are the recorded messages that Phil got from both Rene Angelil and Celine Dion in the year of probably 1995. These messages were recorded some time before Spector and Celine Dion would start recording together at Ocean Sky Recording Studios. Somehow the tone of Celine Dion’s unfinished and unreleased acapella song set the emotional stage for the style of songs that Spector would select for Celine to record at Ocean Way Recording Studios. The rarity of this compilation cassette tape cannot be overstated. In the office world of Phil Spector International, there would be little need to have a duplicate compilation message tape since Spector would need only one tape to review. The studio production tapes that were created later to document and review the studio recording sessions with Celine Dion were more numerous mostly because there were numerous recording sessions. Even then judging from the small number of tapes that I discovered I would estimate that the number of cassette and DAT production tapes from the Dion / Spector recording sessions was probably less than twenty total. However this is in essence an inter office production tape created for Spector to hear his messages for convenience sake. I suspect that in order to please Spector and to break up the monotony of listening to phone message after phone message,the office manager might have inserted some music from the Phil Spector catalog on the tape. The physical tape itself was in fact originally a sample promo cassette tape that originally ABKCO corporation produced as a review tape of one of the Spector box anthologies that Spector was producing in 1991. It is possible that some of the music on this tape might have been from the original 1991 usage. It would not have mattered much to the office manager at Phil Spector Records, any decent quality tape would have been fine for a phone message compilation tape which is what this is. In any case, the three messages that are Celine Dion related that probably exist only on this tape. The unreleased acapella jazz influenced Celine Dion vignettes are make this unreleased phone message tape historic. Now this tape is also historic in part because of some of the other Spector related messages that are on it but the primary reasons that this tape is so important are the three Celine Dion related messages that are on it, and especially the unusual vocalizations of Celine Dion. *** At some point in the near future I will post a sonic file for this tape with sufficient information to prove the authenticity of this tape. There will be no returns on this item to prevent fraudulent copying of the tape. From the personal collection of a former record company executive who worked for both Apple Records and Phil Spector Productions.